Review and Pictures of Afro Dub Sessions II feat. Subatomic Sound System @ Rose Live Music – Brooklyn 02/27/10
Mar 1, 2010 News
It’s been a busy few weeks here at the SLF. With both Joe Cuba CD release party and Soundlib last Wednesday, we were pretty hyped up about the Afro Dub Sessions. Without surprise, the party was a success with great music throughout the evening. We had a blast and it was good seeing many people come out to be part of it.
DJ Linh started the night with some massive tracks, seamlessly mixing dancehall classics with afro funk grooves. Super Hi Fi was banging as usual and we had the pleasure to have John Brown’s Body Sax player Drew Sayers sit in on some tracks and perform some insane solos. Emch, the session’s special guest, then came in and added a layer of dubby sound effects and melodica on top of the live band before starting his own DJ set.
For the next hour or so, he unleashed a diverse selection of classic dub, dubstep and dancehall bangers mixed in with some original Subatomic tracks including his trademark dubstep remix of Lee Perry’s “Blackboard Jungle” as well as a new dope remix of legendary U-roy. Halfway into his set, he was joined by vocalist Donny Yardas for an impromptu rub a dub session. By that time, the dance floor was packed and the entire place was getting down to some serious heavyweight music. Super Hi Fi then came back for a second set before Q Mastah and DJ Lil Tiger finished off the night in SLF fashion.
We’re pretty stoked that there are still clubs left in this city that support alternative music (especially on a Saturday night) so big up Rose Live Music for letting us do our thing and to everyone who came out and enjoyed themselves. See you all next month (3/27) for the next edition of the Afro Dub Sessions featuring special guest DJ DRM from Bastard Jazz Records alongside the usual resident SLF crew.
Tags: afro groove, afro-beat, afro-dub, afro-dub sessions, Afrobeat, antibalas, aphrodesia, blue man group, brooklyn, buhbOmp, DJ Lil Tiger, dj linh, Dub, dubstep, Emch, Q-Mastah, Reggae, roots, rose live music, sharon jones and the dap kings, slavic soul party, Sound Liberation Front, Subatomic Sound System, super hi-fi, the brmg, the superpowers, Williamsburg
Review and Pictures of Afro Dub Sessions feat. Ticklah @ Rose Live Music – Brooklyn 01/30/10
Feb 5, 2010 News
Thanks to everyone who came out last Saturday to Rose Live Music for the inaugural event of our new monthly Afro Dub Sessions party. We couldn’t have hoped for a better turnout especially considering the biting cold NYC winter that was in full force that night. More importantly, the vibe was great and the crowd seemed receptive to the unusual combination of dub music and afro sounds.
The night started out with our own DJ Linh, spinning some dope afro funk and old school dancehall to warm up the crowd before resident band Super Hi Fi performed their first set. With Ticklah manning the soundboard, they delivered a tight set of instrumental dub infused with funk, rock and afrobeat influences creating an irresistible groove which got the entire audience converging toward the dance floor.
Ticklah then came on the turntables, spinning an all vynil set of rare afrobeat and dub classics. By that time, the venue was so packed it was hard to move around. Following his DJ set, super Hi Fi came back for a killer second set before SLF resident DJs Q-Mastah and Lil Tiger finished off the evening of great music with a blend of heavyweight dub and afro grooves.
We all had a blast and we’re already working on making the next one even better. If you couldn’t make it to Rose last Saturday, make sure not to miss the next Afro Dub Session on Saturday February 27th with DJ Emch from Subatomic Sound System. More info to come soon…
Tags: afro groove, afro-beat, afro-dub, afro-dub sessions, Afrobeat, antibalas, aphrodesia, blue man group, brooklyn, buhbOmp, DJ Lil Tiger, dj linh, Dub, dubstep, mark ronson, Q-Mastah, Reggae, roots, rose live music, sharon jones, sharon jones and the dap kings, slavic soul party, Sound Liberation Front, super hi-fi, the brmg, the superpowers, ticklah, victor axelrod, victor “ticklah” axelrod, Williamsburg
SLF Presents AFRO-DUB SESSIONS with Special Guest TICKLAH @ Rose Live Music, Sat. 01/30/10 – Brooklyn
Jan 12, 2010 News
To start this new decade, we’re proud to announce the AFRO-DUB SESSIONS, a new monthly party taking place every last Saturday at Rose Live Music in Williamsburg.
Since you probably don’t want to hear our music nerd babbles about the concept behind the party, we’ll keep the academic details for SLF staff meetings. All you need to know is that you should come witness a unique blend of live dub music and DJs showcasing the latest in Afrobeat, Afro Groove, Reggae, Dub, Dubstep and more. There’s no cover so you have no excuse for not coming through!
Each month, we’ll feature a special guest DJ in addition to resident live band Super Hi-Fi and the Sound Liberation DJ’s. For our launch party on January 30, we called on our good friend and quintessential afro-dub advocate VICTOR “TICKLAH” AXELROD, to bless us with his many talents. If you’re not familiar with Ticklah, here’s a bit from his bio:
NYC based producer, keyboard virtuoso, and vintage Reggae wunderkind VICTOR AXELROD, aka TICKLAH, has been a continual and integral part of the NYC music scene for over a decade – as a performer, TICKLAH is a founding member of Sharon Jones and the Dap-Kings, Antibalas, the Easy Star All-Stars, and worked with Mark Ronson on both the Amy Winehouse and Daniel Merriweather albums. As a producer, TICKLAH was behind the boards for the Dub Side Of The Moon album (co-production, mixing), remixed Shaun Escoffery’s classic “Days Like This” (alongside DJ Spinna), produced 2001’s legendary Roots Combination album, and released his own critically acclaimed solo Ticklah Vs. Axelrod LP on NYC Reggae label Easy Star. The list goes on and on. … Victor is a man in very high demand from some very big players for his untouchable musical aesthetics, his intricate attention to detail, and a true understanding of our musical past.
Hope to see you all there! Here are some more details about the party:
==========
Sound Liberation Front + TheBRMG + buhbOmp presents:
[[ AFRO-DUB SESSIONS: Sounds of the Rhythm R(evolution) ]]
SATURDAY | 30 JAN 2010
(and every last Saturday of the month)
10p-4a | FREE | No dress code
@ Rose Live Music
345 Grand Street
Brooklyn, NY 11211
- Between Marcy Ave. and Havemeyer St. in Williamsburg
- G/L train to Lorimer or the L to Bedford)
718.599.0069
featuring:
[[ TICKLAH aka VICTOR AXELROD ]]
( Easy Star Records, Antibalas )
+ facebook fan page | myspace.com/ticklah
w/ resident live Afro-Dub band:
[[ SUPER HI-FI ]]
( w/ members from Aphrodesia, Slavic Soul Party, The Superpowers and Blue Man Group )
and resident DJs:
[[ Q MASTAH ]]
( Sound Liberation Front, Music Nerd All-Stars )
[[ DJ LINH ]]
( Sound Liberation Front )
[[ DJ LIL TIGER ]]
( –=(] buhbOmp [)=–, Sound Liberation Front, touch&feel:radio, Music Nerd All-Stars, Soular Grooves )
more info:
+ facebook event page
+ going.com
+ eventful
maps:
+ google
+ hopstop
+ yahoo
Tags: afro groove, afro-beat, afro-dub, afro-dub sessions, Afrobeat, antibalas, aphrodesia, blue man group, brooklyn, buhbOmp, DJ Lil Tiger, dj linh, Dub, dubstep, mark ronson, Q-Mastah, Reggae, roots, rose live music, sharon jones, sharon jones and the dap kings, slavic soul party, Sound Liberation Front, super hi-fi, the brmg, the superpowers, ticklah, victor "ticklah" axelrod, victor axelrod, Williamsburg
Sound Liberation Front presents [[ SoundLib ]] 01/13 WED @ Moe’s in Fort Greene, Brooklyn
Dec 29, 2009 News
SOUNDLIB is back! Sound Liberation Front is hosting another night of great music, soulful vibes and good times in Brooklyn at Fort Greene’s legendary Moe’s Bar. Come by for eclectic, soulful selections from the Music Nerd All-Stars that span the depths of soul (new and old), Hip-Hop, afrobeat, house, reggae and much more.
We won’t keep you out too late either: 9pm-1am. Perfect for unwinding after work, having a few beverages and listening to some good music with friends. …
==========
[[ SOUNDLIB ]]
presented by Sound Liberation Front + buhbOmp + The BRMG + Rappers I Know
WEDNESDAY | 13 JAN 2009
@ Moe’s
80 Lafayette Ave
Fort Greene, Brooklyn, NY, 11217
718.797.9536
C to Lafayette Ave / G to Fulton St
Also within walking distance from the Atlantic Ave station (B-Q-2-3-4-5 trains)
featuring:
MUSIC NERD ALL-STARS: [[ DJ LIL TIGER + Q-MASTAH ]] :: NYC
( Sound Liberation Front, –=(] buhbOmp [)=–, touch&feel:radio, Soular Grooves )
9p-1a | FREE | No dress code
+ facebook event page
+ going.com event page
+ eventful event page
Tags: Afrobeat, brooklyn, buhbOmp, Dancehall, DJ Lil Tiger, Events, Fort Greene, Hip Hop, House, Moe’s, Music Nerd All-Stars, Music Nerd Club, Q-Mastah, Rappers I Know, Reggae, Soul, TheBRMG
Sound Liberation Front presents [[ SoundLib ]] 12/17 THU @ Moe’s in Fort Greene, Brooklyn
Dec 7, 2009 News
In the spirit of our SLF/MNC Spring Loft Party and our Music Nerd Club Fourth of July Rooftop Party from earlier this year, we’re hosting a new party called SoundLib featuring your favorite selectors, SLF’s own Music Nerd All-Stars (aka DJ Lil Tiger and Q Mastah).
We’ll be bringing good folks together for some drinks and quality music at the legendary Moe’s Bar on THURSDAY, DECEMBER 17. More info forthcoming. For now, peep the info below and spread the word.
==========
[[ SOUNDLIB ]]
presented by Sound Liberation Front + buhbOmp + The BRMG
THURSDAY | 17 DEC 2009
@ Moe’s
80 Lafayette Ave
Fort Greene, Brooklyn, NY, 11217
718.797.9536
C to Lafayette Ave / G to Fulton St
Also within walking distance from the Atlantic Ave station (B-Q-2-3-4-5 trains)
featuring:
MUSIC NERD ALL-STARS: [[ DJ LIL TIGER + Q-MASTAH ]] :: NYC
( Sound Liberation Front, –=(] buhbOmp [)=–, touch&feel:radio, Soular Grooves )
8p-1a | FREE | No dress code
Tags: Afrobeat, brooklyn, buhbOmp, Dancehall, DJ Lil Tiger, Events, Fort Greene, Hip Hop, House, Moe's, Music Nerd All-Stars, Music Nerd Club, Q-Mastah, Reggae, Soul, TheBRMG
Dance Gets Nice Again: Lord Tippatone Hifi with Selector Jah Wise in Brooklyn 11/20/09
Nov 27, 2009 Features, Reviews
Words and Photos by Quoc Pham
As I am writing this post over thanksgiving, I realize that we should be thankful for all the artists, musicians and individuals who helped shape our musical culture and affected many of us in a personal way. With the passing of Alton Ellis and Michael Jackson just to name a few, this year has been especially tough and it reminds us why we should appreciate those who remain as living legacies of musical eras which must not be forgotten. Last Friday, I was fortunate to attend a dancehall party in Brooklyn called “Dance Gets Nice Again”. The dance featured legendary selector Jah Wise from Tippatone Hifi, one of the most important sound system of the early reggae era. Held in a small venue called the Culture Barn – essentially someone’s garage – the party had an intimate feel with an eclectic audience of old timers alongside hip kids vibing to the sound of pure foundation reggae music.
The late 60’s were undoubtedly one of the most prolific period in modern Jamaican history. The blooming of the local recording industry and a string of international successes in the charts set the stage for Reggae to become a bonafide world class music. During this transition period, sound systems were naturally at the center of the action. As the dominance of the previous decade’s two giants – Coxsone’s Downbeat and Duke Reid’s Trojan – started to fade, a new generation of sound systems arose and competed fiercely for the island’s sonic supremacy. Among these, Lord Tippatone Hifi emerged as one of the top two sounds, rivaled only by King Tubby’s Hometown Hifi. With Jah Wise at the control and Big Youth on the mic, Tippatone ruled the dances from its home turf of Spanish Town to the island’s countryside where the sound would regularly travel.
Well into his fifties and with a deep musical knowledge that emanates from his enigmatic personna, Jah wise is the quintessential sound system man. His record collection is legendary and he allegedly owns the world’s two most exclusive specials: Bob Marley’s only known recorded dubplates in praise to a sound system. Jah Wise first joined the Tippatone crew as the “boxboy” – the kid transporting speakers and equipment – before quickly becoming the sound’s top selector and eventually its ambassador. Besides his musical career, Jah Wise is also a renowned artist whose artwork can be seen gracing many landmarks including the facade of Lee Perry’s infamous Black Ark studio. He also appears painting Horsemouth’s motorbike in the 1978 feature film “Rockers”.
That night, I had the opportunity to meet an individual who has had a profound influence on an entire musical culture. It was a humbling experience and this is what I’m thankful for this year.
If you recently had a similar experience worth to be thankful for, please share in the comment section.
Tags: Brookyln, Dancehall, Events, Quoc Pham, Reggae, Sound system, Tipppatone
SLF’s DJ Lil Tiger with DRM and Meta and the Cornerstones @ Dubwise Session 24, SAT 11/21 in Brooklyn
Nov 18, 2009 News
For the reggae lovers among us, Sound Liberation Front’s DJ Lil Tiger will be throwing down vintage dub and reggae at Bastard Jazz’s acclaimed Dubwise Sessions this weekend in Brooklyn:
[[ DUBWISE SESSIONS 24 ]]
SATURDAY | 21 NOV 2009
@ Studio BPM
237 Kent Ave
Brooklyn, NY 11211
between Grand and N. 1st
More info at buhbomp.com or on the facebook invite page:
The night will feature a performance by Senegalese afro-fusion reggae artist Meta and the Cornerstones, and tunes selected by DRM and DJ Lil Tiger:
When you first meet Meta, of Meta and the Cornerstones, he emits pure musical talent and a humble spirit in his 6.3ft slim frame. Then, when you meet the band members of the Cornerstones you realize that you are in the presence of a group that is about to change the dynamic of Reggae music forever.
Born in Senegal, West Africa, Meta Dia grew a deep love and true appreciation for all types of music. As a child, while listening to his mother play Gregory Isaacs and Bob Marley on the radio his appreciation for Reggae music was founded and the desire to be a musician. In Dakar, Senegal, Meta is known as a pioneer for the voice and culture of Hip Hop. He began performing on the streets and stages of Dakar at the age of 14. In the year 2000, Meta formed his first group, YALLA SUUREN (God Bless) and gained celebrity recognition by the media. YALLA SUUREN was nominated as the BEST HIP HOP/REGGAE group by the French Cultural Center in 2000.
Moving to the USA in 2002, he began to collaborate with artists such as Sean Blackman, hip hop pioneer Toni Blackman and many others. He formed the band Meta and the Cornerstones with some of the best musicians in New York City: Adrian Djoman(bass); Shahar Mintz (solo guitar); Ayo Kato (Keyboards) and Chris Eddleton (Drums), Daniel Serrato (Guitar) who brought their musical influences of the Caribbean, Africa, America, Asia and Middle East into the mix.
Meta’s powerful writing skills, his phenomenal singing voice takes you back to the roots of Reggae music as he infuses his songs with hip hop, rock, soul and African influences performing in English, French, Wolof and Fulani. Meta and the Cornerstones have gained great respect and recognition in the USA and internationally. In 2006 he made a roaring statement when he performed alongside Steel Pulse & Luciano at the 2006 Annual Reggae Salute. In 2007 he was personally invited by International Superstar and Senegalese born artist Youssou N’Dour, to perform at his Annual ‘African Ball’ concert at the Nokia Theater, NYC.
The afro-fusion reggae of The Cornerstones and Meta’s soulful, soaring voice creates a soul-pounding spiritual experience for the audience. Meta is creating something bigger than music, transcending oceans, borders, and languages. The power of what he is contributing is unifying and humbling. Meta and The Cornerstones have something big to offer whoever is listening.
Here’s some live footage of Meta in action:
Tags: Bastard Jazz, buhbOmp, Dancehall, DJ Lil Tiger, DRM, Dub, Meta and the Cornerstones, Reggae, Studio BPM
Reeewind: A Journey into Sound System Culture, 10/03/09 – New York
Oct 12, 2009 Features, Reviews
Story and Photos by Quoc Pham
A show at the Amazura is like an expedition into another musical world, far from the spotlights of mainstream media. This time, I was able to rally a crew of hardcore sound system fans despite my usual inability to convince any of my friends to take the trip deep into Queens and shell out fifty bucks for events that usually start after most venues’ last call. With its smoky and stuffy atmosphere, deafening sound system and overbearing intensity, a major event at the Amazura literally requires mental and physical preparation.
Irish and Chin have been notorious for staging mega productions worldwide, the most legendary being their prestigious world clash series held in New York, London, Jamaica and Antigua. With “Reewind: past meets the present”, their concept was to combine a vintage rub a dub show headlined by the legendary King Sturgav Hifi with the star power of popular contemporary artists such as Capleton, Luciano and Beenie Man. The bill also advertised U-Roy, Brigadier Jerry, Charlie Chaplin, General Trees (all of whom were affiliated with the sound in its heyday) and Mighty Crown Sound who was entrusted with the task of warming up the audience. With such a stellar lineup, this was undoubtedly the most anticipated dancehall event of the year and it was clear that it was going to be a memorable night.
In Jamaica, sound systems were more than just entertainment, they were literally community institutions at the center of local economy and popular culture. Ever since the early Ska days, they have been the driving force behind the birth and evolution of the Jamaican recording industry and played a crucial role in developing artists from local poor communities. With the explosion of Dancehall in the wake of Bob Marley’s Death in 1981, a new generation of sound systems spearheaded by the likes of Stone Love, Killamanjaro, and King Jammy’s took center stage and dominated the Jamaican music industry over the next two decades.
During the Dancehall era, sound system performances known as “Rub A Dub” dances were widely popular. These dances typically featured multiple deejays (the Jamaican equivalent of MCs in hip hop culture) consecutively showing off their lyrical skills in an attempt to seek out respect and recognition from the often unforgiving crowd. Spontaneous and competitive by nature, they were good indicators of raw talent and became the location of choice for scouting and developing new artists. Being a feature deejay on one of the island’s major sound systems was a sure path for popular success and an eventual recording career. To this day, most well known recording artists begin their career by earning respect and proving themselves in the “Zinc fence jungle”.
King Sturgav Sound System, also known as Sturgav Hifi was the brainchild of the illustrious deejay U-Roy. Also known as “the originator”, he is widely credited for pioneering and popularizing “toasting”, a vocal style which consists of jive talking and rapping over popular records during sound system dances. After a stint deejaying on Duke Reid’s Trojan Sound in the late 60s, he gained notoriety later on King Tubby’s Hometown Hifi- Tubby’s sonic experimentation and dub aesthetics proving the perfect support for the development of his unique vocal style. By transforming the art of animating a sound system dance into a musical form in its own right, U-Roy laid the foundation for an entire new generation of artists and became a major influence on the early rap scene (Disco/Electro/Break Beat) and the later American hip-hop movement. When he created Sturgav sound, it became defacto one of the top deejay academies on the island.
With so much history in perspective, I had very high expectations for this event. When we arrived at the Amazura, the place was already packed which was a pleasant surprise given the relatively early time (by Jamaican Standard). The night started with the incomparable Mighty Crown from Yokohama, Japan. The “Mad Japanese” definitely have a knack for captivating a crowd with their wicked selection, unique charisma and flawless execution. It is not hard to understand why they are considered one of the best sound systems in the world today, and since they were just the opener it was an indicator of the high caliber of the event.
In front of an enthusiastic crowd, King sturgav then took the stage. For the next three hours, the audience witnessed an overwhelming array of artists consecutively blessing the mic. Beenie man announced himself as the host for the night, controlling the mic and interacting with the audience while General Trees kept patrons smiling with his comical interjections and entertaining performance.
Since I am used to seeing Capleton perform with a live band , I was curious to see how his style would translate in a sound system format. Capleton has an aura few other artists carry. I caught his expression while he was standing backstage before his performance, staring at the crowd in deep concentration. Minutes later, he brought the entire place down with renditions of his anthems Jah Jah City, Who Dem, That Day Will Come and countless others over foundation riddims. Without surprises, the prophet did not fail to mesmerize the crowd with his notorious intensity and charisma.
To my surprise, I learned that U-Roy, Luciano and Charlie Chaplin were not going to be present due to visa issues. There was a lot of disappointment in the crowd. The last part of the event still featured standout performances by Brigadier Jerry and Sugar Minott, who came as a surprise guest. Both artists unleashed a series of forwards when performing their respective trademark hits.
Despite the absence of a few key performers, it was still a night of historic proportions and above all a night of great entertainment by some of the industry’s most prominent figures. It was all about class and respect between artists in honor of sound system culture and history. The event as a whole left the crowd ecstatic and it was nice to see that it was relevant to a younger audience as well. I can only hope to see more of this type of productions in the future. In the meantime, I will be going back to listening to bootleg rub a dub tapes on my iPod, longing for my next journey into sound system culture.
Tags: Amazura, Beenie Man, Capleton, Dancehall, Irish and Chin, Queens, Quoc Pham, Reggae, Sound system, Soundclash, U Roy
Mark your calendar: 2009 Sound Liberation Festival
Jul 10, 2009 News
This has been a long time coming, but we are pleased to finally and officially announce the2009 Sound Liberation Festival. Taking place on august 15th at Littlefield, a new eco-friendly space in Brooklyn’s Gowanus neighborhood, it is a day-long, 2-part art and music festival in one of New York’s most exciting and vibrant communities.
Headlining the Festival is NYC hip hop legend Brand Nubian. Additional acts will include “electro-afrofunk” collective Chico Mann, dub innovator Ticklah , and DJs Kenny Parker (Boogie Down Productions), Cosmo Baker (Bang! the Rub), and Ian Baker (Tea Party Music, Libation).
For more details, check the sites regularly as we’ll be posting updates over the next few days with complete lineup, schedule and artist bios.
Tags: Events, Hip Hop, Reggae, Sound Liberation Festival
